-->
Religion, a particularly warped form of it, has played a large
role in American life, and in mine. And I have spent
entirely too much time, I’m thinking these days, raging against the phonies,
the hypocrites, and insecure petty folk who are manipulated by it and who use
it to manipulate others.
I was raised in a Christian environment. In the small town where I grew up most people
went to church or synagogue, and I have to credit that cultural life for many
of my fundamental values. There was
pettiness and meanness enough to go around, to be sure, but there were also
lots of very decent people who took solace in their religious faith and
credited it with the kindness and compassion they took to be essential for a
life of substance and meaning.
I lost that faith sometime after my twentieth birthday when
I went to Germany and discovered how different German Lutherans in Germany were from German Lutherans in America. That led me to question the degree to which religion was tied to culture and come to see how arbitrary
were the dictates of any given culture.
It was the arbitrariness of it all that made me think I’d be better off
searching for things that are true, rather than buy any longer into any packaged set of
truth claims that demanded belief without evidence, especially those notions
that laid claim to universality but clearly reflected local varieties of
groupthink.
Also, I developed an intense loathing for organized religion at
some point early on as I came to recognize that I was gay and that religion had
inculcated in me a self-loathing that pushed me to the edge of suicide. I have never forgiven religion for that, and
I probably never will. Eventually I recognized that all religious doctrines are cherry-picked, and that it’s the
cherry pickers, not the religion itself necessarily, that is to be blamed for religion's dark side. That freed me up from what had become an obsession to do all I can to root out religious influences around me.
I had a friend who was raised a Mormon. His name was Merrill. We met in the 1960s, way before the sea
change in America that made acceptance of gay people the norm. One stayed in the closet if one wanted to be
able to move comfortably in the larger world.
One lived a lie. Laughed at jokes
about fags. Many of us became violent
toward other gays so that others would not “mistake” us for being gay
ourselves. The deception was unbearable
to many. Forty-two years ago this week Merrill got
hold of a rifle and blew his brains out.
I called his sister, who had raised him. Stumbling in the dark, desperate for words, I
said something like, “I guess we’ll never know why he did it.” I knew full well why he did it. He wanted to be part of his large Mormon
family of twelve kids, but the older six rejected him and he found that
unbearable. To my surprise, his sister
responded, “I know exactly who killed him.
The Mormon Church killed him.”
She was one of the younger six and - it shouldn't have surprised me - she knew him even better than I did.
My animosity toward religion was already pretty solid by
this time, so Merrill’s suicide was not the source of it. But it solidified and intensified it.
It took me some time to separate my resentment of the
scriptural injunction against same-sex relations – at least as it is interpreted by most literal-minded Christians, Muslims and Jews – from my resentment of the soul-killing way so many of these people actually practiced their religion. I didn’t believe the myths that had grown up over the centuries, the exodus out
of Egypt, the Virgin Birth, Mohammed’s ascent into heaven on a white horse from
Jerusalem and all the rest of it. It wasn’t really my anger at the
religion-based homophobia that made me a church-basher. It was the fact that I simply could not
get behind the claims that there is a God,
that he created a man and a woman and put them in a garden and told them not to
eat of the tree of knowledge. And then punished all their descendants when they
disobeyed him until he changed his mind and decided it was time to come to earth as a human being and
make himself a sacrificial lamb to “redeem” us from that inherited sin. How, I've always wondered, does anybody in their wildest drug-induced fantasy life make sense of all that shit? I mean never mind the obvious fact that once you reach age six (eight, sometimes ten, if you grow up with a vitamin deficiency) you learn to read the story allegorically and not literally. What is "original sin" all about allegorically if not a mechanism to encourage submission to authority?
So I have two distinct reasons for not being religious. One, I simply don’t believe the stories, and
two, it looks for all the world like the gatekeepers of the religions include
some pretty awful types of people.
People you should run from. Once I learned that Jerry Falwell was going to heaven, I tore up my ticket.
And that means I’m up against some serious challenges. One is I know people, some of them mighty
fine people, who do believe the stories.
And who are fighting what I take to be a losing fight to free their
religious organizations from the hypocrites and purveyors of violence and
deceit who run them. The challenge is to remain open
and honest about my disdain without disrespecting the earnest attempts of these
seekers to make sense of the universe the best they can.
When I rejected the church because I couldn’t buy into the
doctrines, I also came to lose respect for people who held onto the church for
non-doctrinal reasons. Pascal's wager types, people who don't really believe, but don't want to risk it. Grandma's good little boys and girls, for example. People for whom family and community are everything and who fear that to reject the religion of their birth could well mean being ostracized from the community itself. Or, as a friend of
mine in high school put it, “I have to go to church. It would break my grandmother’s heart if I
didn’t.”
I remember the first time I walked into the cathedral at
Chartres. It was a sunny day and the
light coming through those stained-glass windows nearly knocked me to the
floor. If living by grandma's rules doesn't do it for you, the other-worldly beauty of a cathedral can keep you in the loop.
In my case, if anything would make a believer of me again, it would be the music.
I remember the time I attended Harvey Milk’s funeral at
Temple Emmanuel in San Francisco. I had
never heard the mourner’s kaddish before and was unprepared for the
beauty and the power of it. I only
half-jokingly told friends afterwards that I converted to Judaism in that
instant. I had a musical background and
was no stranger to the idea that music had power. But in that moment, I became convinced I could hear the thousands of years of Jewish suffering in what to my protestant ears was almost embarrassingly raw emotion expressed so exquisitely in
song. I felt a powerful draw, a desire to attach myself to a community of people who had clearly figured out some of the big questions of life and death. And had the skill to express that knowledge in an honest and creative way. I have no doubt there must also be people in the world who are believers
because of a good performance of Mozart’s Requiem.
My friends Craig and Harriet, both gone now, were for most of the time I knew them pretty much on the same wave length I was on when it came to religion. So when they told me they had started attending church services at a
local church my instant question was, “Are you out of your
mind!?” “No,” Harriet answered me.
“I’m not there for the doctrine. I have
just come to realize that there are times when I want to be in the company of
other seekers. It’s not their truth
claims that I'm interested in; it’s the fact that they are seekers.”
Builders of cathedrals may say, I suppose, that they do what
they do “for the glory of God.” I
filter that through my humanist take on the world and find I have no trouble
feeling gratitude that there are seekers who want to express their spiritual
longings through the creation of beauty.
Chartres may make you look to the heavens where you think God dwells,
and a cantorial chant – or a Gregorian chant – may make you better able to
process your feelings of grief or loneliness or simply your mystification at
how time flies by and you have come from childhood to senility in the blinking
of an eye.
On a superficial level, there are religious crackpots that
make me roll on the floor in hysterics.
I’m talking
Cindy Jacobs and Pat Robertson here. I would not want to get rid of them. They provide as much entertainment as a
Saturday Night Live skit. And on a serious
level, there are also people who have managed to channel their religious
impulses into music and that music has not just enriched my life but kept me
sane and able to fight off the slings and arrows of a sometimes quite hostile
reality. I am grateful beyond words for
this music.
Music doesn’t have to be religion-centered to be lofty. Consider Richard Strauss’s
Four Last Songs,
for example, which inolves embracing the death that will come to us all with no
mention of a deity. But often the most
profound human emotions are expressed religiously, whether it’s in that wonderful
piece in
Les Misérables where Jean Valjean
asks God to protect a boy, his future son-in-law, that he has come to love as a
son. Especially as
Alfie Boe sings it.
Or almost any of what must be hundreds of good versions of
Amazing Grace. Here’s one of my
favorites, by
Il Divo. The bagpipes are like Mexican food. Can be awful.
But when done right – as in this
video – they’re the musical equivalent
of food for the gods. (And, speaking of gods, you might want to
stay with that YouTube link. Il Divo
moves on next to that Leonard Cohen piece that has circled the world countless times
now, and regularly reduces all kinds of people to tears,
Hallelujah.)
Or all the
Ave Marias, Bach chorales, and
requiem masses. And not
just the big ones, like Mozart and Brahms’s
Ein
deutsches Requiem. (Here's a nice
version done by the Danes.)
But also the
requiem by Camille Saint-Saëns, who proved you don’t have to be a believer to write a beautiful requiem. Verdi, I’m told, wasn’t a believer, either,
and he too pulled off a good requiem. Gounod, Dvorak, Gabriel Faure, seems
everybody got in on the act, and we’re the richer for it.
Something about death, I guess, clears the throat. It’s hard to be puffed up and insincere when
facing eternity, and it seems to make people want to do their best.
And I keep discovering more and more examples of beauty at death's door.
This week it was Azi Schwartz, the cantor at Park Avenue
Synagogue.
Here he is performing at a 9/11 memorial service.
Also in the picture, as if some Renaissance artist had
composed it to enhance beauty by juxtaposing it with ugliness, is that sleaze bag
Cardinal Dolan, the incarnation of the
corruption in the Roman Catholic Church, standing two down from the pope. Mr. Dolan spent hundreds of thousands
of dollars trying to hush up the child abuse details, paying off the priests
and protecting the church and throwing the kids to the wolves, then later
passing himself off as the man who fixed the problem. He also urged Catholics to civil disobedience
to protest granting the right of LGBT people to marry.
But let’s not be distracted by corruption. Focus on young Azi. Beautiful face. And even more beautiful voice. Has a wife and three kids, I understand. Cantoring his heart out and reminding me why
I converted to Judaism in that instant back in the 70s when Milk was shot.
I never stay Jewish, of course. But I convert every time I hear a cantor sing.
How could you not?