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| Alexander Malofeev |
If you gave birth to a child prodigy, what course would you take? If
he or she has the talent of a Mozart, would you tie your child to the piano bench and
make them practice their Czerny exercises till their fingers bled? Would you
ignore your other children so you could devote all your time to your little
genius?
Putting the questions that way, I reveal the American bias
toward allowing children to grow up healthy and happy, to play in the sand at
the beach and develop friends to hang out with at the mall. We don’t do it the
way they do in authoritarian countries, like China and Korea and Russia and the
countries of the former Soviet bloc, where kids with special talent are
sometimes even removed from their families and raised in boarding schools to
become Olympic athletes.
A reasonable person, I assume, would want to have the best
of both worlds. By all means nurture the genius, but not destroy the psyche of
a growing child. Get it right. There’s got to be a balance if you try hard
enough.
I’ve been listening for some time now to the magnificent
displays of child prodigies. Two in particular, a Georgian kid named Sandro Nebieridze
and a Russian kid named Alexander Malofeev. There are many more out there, and
my fondness for these two is probably because they have the right kind of
promoters who push them out there for the public to ooh and ah over and get
them thousands of followers on Facebook and YouTube.
Once again, YouTube, you magnificent creation of the gods.
Up there with chocolate and macadamia nuts for the quality you’ve given to my
life in recent times.
What are you doing this coming Saturday night? If you happen
to be in Tbilisi, you might want to
take in a concert by სანდრო ნებიერიძე - that’s the
aforementioned Sandor Nebieridze if your Georgian is not up to snuff. He’s
playing with Tbilisi’s two other young Mozarts, სანდრო გეგეჭკორი (Sandro Gegechkori) and გიორგი გიგაშვილი (Giorgi
Gigashvili).
Tbilisi is a city of some million and a half people, i.e., roughly
the size in population of Phoenix, San Antonio or San Diego, yet it has not
one, not two, but three young Mozarts. (It may have more, but my familiarity
with Tbilisi is definitely limited.) All things being equal, you don’t get
results like that without some tying to the piano bench. It doesn’t happen without
years of discipline. The hands have to learn to think independently of the
brain, have to develop a kinetic sense of where to go when the fingers are
flying at the speed of light. Even if you’re born to perform at the age of
three and compose at the age of five, you still need to polish the talent with
discipline.
On the other side of the argument – and there is one – is the fact
that if you see these guys in action, it’s clear they enjoy what they’re doing.
There’s a wonderful video of the three of them horsing around (which I can’t seem
to find at the moment, but it’s out there), and if any of them feels
handicapped they’re not showing it. Here are the two Sandros of that trio in
their Santa Claus uniforms playing a jazzed up Libertango in front of
what I take it is Yamaha’s Tbilisi outlet – and you get a glimpse into how
these young folks get to advance their careers.
Here they are again, somewhat younger, playing with violinist Kote
Eroyan, and if you haven’t fallen in love with Georgian boys by this stage you’ve got a
cold dead heart.
I was going to list the performances I’ve been listening to all
week, but there are just too many of them. You can find them easily enough if
you search YouTube. Here’s just a sample:
Sandro Nebieridze (born 2001, Georgia)
Sandro Gegechkori (born 2000, Georgia)
2.
Rondo alla Turca - https://www.facebook.com/ClassicFM/videos/pianist-sandro-gegechkori-has-made-mozarts-rondo-alla-turca-even-more-lively-by-/10155389614899260/
Giorgi Gigashvili (no bio information available that I was
able to find)
And I can’t be 100% sure it’s our Giorgi, but here’s
a Giorgi Gigashvili singing in Swahili with a bunch of other Georgian kids six
years ago. [Excuse the tangent, I just
can’t help it: here’s that same song, Malaika, which one of the commenters
identified as the most popular song in the Swahili language, sung in an African
context.]
But back to the whiz kids.
Just because the Russians and the Georgians are not on the
best of terms these days, (Georgians are trying to replace Russian with English as their first foreign language and 77% of them voted in 2008 to join NATO) it doesn’t mean that I have any less love for Russian
prodigies. Well, the one I mentioned above, at least – perhaps the cutest little
tow-head ever to come down the pike, Alexander Malofeev.
And to get real about just how seriously talented these kids
are, have a listen to Sandro Nebieridze and Alexander playing Poulenc’s
Concerto for Two Pianos and Orchestra. Sandro
and Alexander both entered the Grand Piano competition in Moscow in 2016, in which the prize was $5000 and a grand piano. The sponsor, Russian
pianist Denis Matsuev, was so impressed, clearly recognizing that they were
both so clearly top of the line, that he awarded them both the $5000 prize and
bought an extra piano out of his own money. And don’t miss the encore – Variations on
a Theme by Paganini.
A brief discursion here, to make the point that not all
Mozarts are boys. Watch the little fingers fly on another finalist in the Grand
Prize Piano Competition in Moscow in 2018, Alexandra Dovgan.
This journey started for me when I chanced on Alexander
Malofeev playing Rachmaninoff and was blown away. There are over 50 YouTube videos available of his
performances, and I hesitate to keep linking you to ones I’ve chanced upon,
figuring you can discover them for yourself if you’re interested. It’s a great
way to spend a rainy January afternoon in California. Or any other day, of course.
Look at the expression on his beautiful face. This teenager.
I can’t imagine he fits the description of a kid whose youth was ripped out
from under him just so he could satisfy the ego of a helicopter mom or a
nation seeking international glory at the expense of their children’s welfare. I
could be all wrong, but I think it’s a big world, filled with different kinds
of people. I think there are some of us who, like me, didn’t practice their
Czerny because they lacked the discipline, and didn’t have the special talent
to begin with. And there are others – and Alexander has to be is in this number
– who were simply born to inspire the world with magnificent performances of
the world’s best composers.
Happy rainy day afternoons to you all.
OK. Just one more. You might conclude that Mozart wrote this
piece for Three Steinways and Two Page Turners to be played lickety-split, but
actually it’s his Piano Concerto No. 7 ,which he arranged to be played by a certain Countess Lodron and her
two daughters, Aloysia and Giuseppa. Performed by young Alex (he’s only fifteen here),
another girl genius named Varvara Kutuzova, (who may be as young as 12) and Russia’s current leading concert
pianist, Denis Matsuev, donor to kids of grand pianos, mentioned above. For those of you who appreciate not only the
Rachmaninoff stuff for the russkaya dusha (Russian soul), but also the
heady and deeply satisfying music of Wolfgang Amadeus – who got us all started
on this romp.
